Lezanne Viviers Creates a Colourful, Art-Filled Apartment
Former Marianne Fassler creative director Lezanne Viviers has recently put the finishing touches on an eclectic apartment in Hyde Park, Johannesburg.
Lezanne Viviers’ effervescent personality and rebellious spirit are hard to contain. And the apartment in Hyde Park that she hust recently finished renovating is evidence of them, too – it’s an organised explosion of bright colour, textures and patterns. And why would you expect anything less from the former creative director of the iconic Marianne Fassler label? Born and raised in Somerset West, Viviers describes a childhood spent immersed in nature, baking and eating mud pies made from clay balls dug out from the riverbed, playing Kleilat Gooi with her brothers and jumping over dunes in four-wheelers. ‘I embraced my tomboy tendencies,’ she says.
After matriculating from PJ Olivier Art Centre, and then going onto graduate from the Elizabeth Galloway Academy of Fashion in Stellenbosch, Lezanne spent two months as an intern in Johannesburg. She says she moved to the city on Valentine’s Day and it was ‘love at first sight’. She explains, ‘Johannesburg is inclusive, and I was lured by the city’s energetic charm and its cosmopolitan nature. As Capetonians we are often caught under the spell of the Mother City’s natural exquisiteness. We tend to be naïve and lack curiosity about what South Africa has to offer outside the borders of the so-called paradise. Johannesburg is my kindred city.’
Lezanne began an annual mentorship with Marianne Fassler in 2011. ‘It was tough,’ she says. ‘I was stubborn. Marianne gave me lots of freedom, sometimes really throwing me into the deep end with a client’s dress. She would always push me to become better. With time, I proved I could handle more responsibilities, and she allowed me to have fun and play in the studio.’
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Sitting in the light-filled living room of this Hyde Park apartment that Lezanne recently finished renovating, once can't help but be mesmerised by the array of paintings, prints and vintage vases. Every surface seems to be occupied with a ceramic work or a framed poster or bold-print curtain. Remarkably, Lezanne acquired her first piece of art just five years ago.
‘Braided Bonding’ is a painting by Marlene Hettie Steyn, who was one of Lezanne’s fellow art students. In the class they took together, Steyn majored in painting and Lezanne in sculpture. Since then, Lezanne has accumulated an astonishing amount of artwork, all of which is displayed in the treasure trove that is her home; she describes herself as a specialised hoarder. ‘To buy Marlene’s work, I borrowed the money from my mom and paid her off over a year,’ Lezanne says. Her second piece was acquired the same way. Then her mother ended the arrangement and Lezanne was on her own. Today, works by Georgina Gratrix, Lady Skollie, Nico Krijno, Belinda Blignaut and Irma Stern, among others, adorn the apartment.
I'm very intuitive when buying something,' Lezanne says. And as she points out a railing weighed down by brightly coloured kimonos she aquired when on honeymoon in Japan, Lezanne adds that she doesn't mind splurging on both art and textiles. ‘I also bought these on the same trip,’ she says, unfolding delicately patched Boro textiles in varying shades of blue and indigo. Passed down through generations, the Boro cloth patchwork tradition originated in 19th and early 20th century rural Japan. When a sleeping cover or throw started to run thin, the family’s women would patch it with a small piece of scrap fabric using sashiko stitching. The result is a beautiful tapestry rich with family history and tradition.
‘Japan is the most considerate country and culture I have come across. Consideration results in something unexplainable. It’s a country that is so rooted in its traditions, yet so avant-garde and contemporary,’ says Lezanne. 'My style is often caught in a fleeting moment, something intangible, but aesthetically and definitively exaggerated. I am always hunting for treasures, objects with integrity that were made in sincerity.’