The botanical farmhouse
There are no conventional cupboards in the kitchen of Johannesdal, the farmhouse in Pniel, Western Cape, belonging to Chris Willemse and Dané Erwee. No sleek, handle-free sliding shelving; no modern glass cabinets arrayed above a marble-topped counter. Instead, a rustic wooden unit, reaching almost to the ceiling, stands against one wall, and houses assorted plates, glasses, platters, bowls and cutlery. The top shelf is accessible only via a perilously perched ladder… This appreciation of the old and venerable as much as the new is emblematic of the couple’s personal and professional life. It’s evident in the amassed objets, art pieces, books, tapestries and plants throughout the house – and extends to the farm gardens themselves. In 2000 they came across a bamboo-grass-covered strip of land, to which no road led. It had a singularly beautiful location – in a tranquil valley, flanked by the Groot Drakenstein mountains. Although access was challenging and infrastructure would have to be installed from scratch, with the assistance of architect Henri Comrie, they gradually developed their vision for their home. Today, the project (16 years and counting) has the grand proportions of a country house, yet with the welcoming warmth of a family farmstead, sitting graciously amid nursery gardens, magnificent rose beds, manicured lawns and an expansive swimming pool.
Chris trained as a horticulturist, Dané as a landscape designer. Their vocations equipped them to combine their skills into Okasie, the floral-design business they founded in Stellenbosch, and to create the farm that supplies it. There’s a mutually beneficial synergy between the farm and the business. Chris and Dané grow as much as possible of what they incorporate into their creations, an approach that allows their unique flair to come to the fore. Unlike most florists in the Western Cape, who tend to source their blooms from the same few suppliers, they grow plants and flowers that are not commercially available and thus ensure a unusually varied selection, whether for corporate functions or weddings. The pair lament the omnipresence of the visual bookmarking tool Pinterest: it’s taken what should be clients’ individualistic and creative imaginings and damped them down into a ‘cookie-cutter template’, they note. ‘We strive to do something different. Using a conventional base of, perhaps, roses and proteas, we add aquilegias, clematis, pomegranate branches, waterblommetjies…’ They’re also excited about the resurgence of the once-ubiquitous hydrangea: ‘One of the loveliest blooms, in its hues of blues and whites,’ they say.